Still Listening, In Memory of Pauline Oliveros (1932-2016)
June 1, 2017, McGill University, Montreal, Canada
Pauline
Oliveros' The Heart of Tones
performed
by the Avatar Orchestra Metaverse
and
vocalists Kathy Kennedy, Viv Corringham and Tina Pearson
Pauline
Oliveros became
a member of AOM shortly after it formed, and continued to be involved
in and a champion of its activities until her passing. Oliveros was
instrumental in three significant AOM works: Her own The
Heart of Tones;
the Stelarc collaboration Rotating
Brains / Beating Heart;
and Vancouver Calling,
her
multiple reality-ability work made for performance by AOM in Second
Life, the Deep Listening AUMI (Adaptive Use Musical Interface)
program and live musicians, performed at the Canadian New Music Forum
2012 in Vancouver. As her avatar Free Noyes, Oliveros also welcomed
the New Year annually within Norman
Lowrey's environment Overnight For Dreaming Avatars in Second Life as
part of her
partner Ione’s
Annual Dream Festival.
Oliveros
encouraged her students and colleagues to investigate the potential
in such networked platforms as a way to expand their listening and
explore new contexts and possibilities for their work. Oliveros'
belief in the possibilities of connection, of listening beyond the
borders of place, culture, ability , language, skill and genre pushed
AOM beyond what it thought possible. Her modelling of community,
acceptance, love and her tenacity in trying out challenging ideas
have become fierce norms of the group.
The
Avatar Orchestra Metaverse dedicated this performance of The
Heart of Tones
with deep gratitude and appreciation to the memory of Free Noyes and
Pauline Oliveros.
The Heart of Tones (mixed reality version)
The
Heart of Tones was originally
commissioned in 1999 by Abbie Conant and her Wired Goddess Project
and composed for trombone and two oscillators. Oliveros created an
ensemble version of the piece in 2008, adapted for the mixed
realities of Second Life and Real Life, combining virtual instruments
with live trombones and voices streamed into Second Life, with the
result brought into a venue via projection screens and audio system. The
premiere of the mixed realities The
Heart of Tones took place at Open Space
in Victoria BC.
In The
Heart of Tones,
a tone is minutely explored in the smallest possible increments
within a half tone above and below a prescribed pitch, through
subtle timbre variations and spatial movements by performers on
virtual and physical instruments. This
is accomplished with a custom Heart of Tones (HoT) virtual instrument
designed within Second Life, in collaboration with Oliveros and the
Avatar Orchestra luthier, Andreas Müller. The instrument
includes individual controls for volume, duration, frequency and
colour spectrum of 95 microtones within the space of a half tone
above and below D4 (296Hz). The instrument also includes avatar
animations, and exacting choreography performed by the avatars is
designed to provide subtle varations and evolutions in the perception
of the received sound. The resultant beats, timbre shifts and audio
illusions create rhythms, transformations and textures that
are precisely mirrored in visual colour spectrum shifts on activated
capes worn by the avatar performers. The
focus is on listening to the acoustic beat frequencies and the
overtones that result from playing tones together that are very very
close together in frequency. The musicians decide independently and
intuitively on the variations.
Performers
Second
Life Avatars
Chris
Wittkowsky, Regensburg, Germany (Paco Mariani)
Max
D. Well, Regensburg, Germany (Maxxo Klaar)
Leif
Inge, Oslo, Norway (Gumnosophistai)
Ole-Xin
Foss, Oslo, Norway (Ba Na Na)
Gema
FB Martín, Madrid, Spain (FredMadison)
Björn
Eriksson, Sollefteå, Sweden (Miulew Takahe)
Norman Lowrey,
New Jersey, USA (North Zipper)
Liz
Solo, Toronto, Canada
Cathy
Fern Lewis, Victoria, BC, Canada (Fernsing)
Viv
Corringham, New York, USA (Zonzo Spyker) i
Brenda
Hutchinson, San Francisco, CA, USA (Groucho Parx)
Tina
Pearson, Victoria, BC, Canada (Humming Pera)
Vocalists
Kathy
Kennedy
Viv
Corringham
Tina
Pearson
Timekeeper:
Brenda Hutchinson
Conductor:
Tina Pearson
Second
Life Camera Operator: Kevin Gironnay
Second
Life Set Design and Construction:
Tina Pearson, Norman Lowrey, Frieda Kuterna
Tina Pearson, Norman Lowrey, Frieda Kuterna